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Jenny Wilson's fourth solo album is musically more evocative and simultaneously more accurate in its detail focus than any of her past, indeed brilliant, Rs. It's seals with the challenging title DEMAND THE IMPOSSIBLE! is not a coincidence.
- I went and thumbed on several different titles, and did not really know more than that I wanted an invitation that title. In an old newspaper, I saw pictures of a demonstration during the student revolt in Paris in the late sixties, and there were so darn cool graffiti. "Be realistic, demand the impossible!" It was such a rowdy call, just what I was chasing. It was by walking around and feeling the title of the lyrics then crystallized, and then became the theme riots, wanting to change. legal publishing
- I have been fascinated by the image of a kind of street prophet. One who observes and which from it - demands change. Throughout the disc, I have tried to observe my community both introspective and outward. legal publishing My body and my surroundings become metaphors for each other.
A song title as Opposition says a lot, and at The University of My Soul beats she stated that "our leaders must fall down" and preaches the feminist revolution of text lines like "let the women wear the crown." But even more acute than the social battle, Jenny Wilson's own bodily struggle has been. Her victory over the breast cancer she was diagnosed with the summer of 2010 is well documented, especially in the film Beyond That Wasteland legal publishing as she did on the Island along with D ANIEL Wirtberg. But during the filming of DEMAND THE IMPOSSIBLE! last autumn came the cancer suddenly back.
- I have always been interrupted, in everything, not just in music creation. This meant that I had to mobilize, and in it I focused. It made me, for example, to discover that I can not eat meat more. It made me ask myself why someone might think that it's important to own 15 pairs of shoes. How disgusting it is with the whole thing that you should take a hell lot of things. That it is far more important than saying good things, think, be happy. The focus was a strength, and DEMAND THE IMPOSSIBLE! I've wanted to get back to that feeling, which means that not submit to anyone.
The belligerence that shines through so strongly in relation to an unfair surrounding community legal publishing is even stronger when it comes to the battle in her own body. My History depicts a war in the body. "The bones in my body is an army of warriors with diamond teeth," she sings, but as a warning against his enemy. Her body works namely for her, not against.
- It is a kind of fury, but positive. It's about my body, of course. For me it was important to make a record that was like a raging juggernaut, Jenny says, laughing a little at the bombastic in his metaphor. It opens new roads, and provides not only the devastation.
In interviews about her illness, she has always stood out as a person who uses this kind of review as a trampoline. Instead of letting themselves legal publishing be pushed down, she uses the situation and is becoming increasingly urgent in its creation.
- It is true enough, nods Jenny Wilson. If I'm going down in a hole, I'm the kind of person that will not only get hold of the last straw bristles, but also use them to build a ladder to get up again. When the cancer came back, it was a deep hole, but for the first time, I allowed myself to stay down there so I could meditate on what was important to me. I got dog - Maja - a creature that has become very important, and so I spent a lot of time together with the outdoors. legal publishing And then I have of course my children.
- I'm a spiritual person, I believe. To be spiritual is to be flexible and prepared for whatever legal publishing may happen, I think. I grew up with a mother who came from a Nonconformist family, and she read the Children's Bible to us, which the variety with copper sticks illustrations. I remember how I visualize conditioned paradise, based on the stories. We lived out in the country, and nearby there was a scrap dump. Around the place where you would throw their scrap, there was some sort of cementing, legal publishing and that the collision between the coarse, gray and wild. It was neither the pristine or urban, but a kind of environment. Since then, I am so in love just in that kind of environment. Viaducts, railway embankments - places that are not anyone's. I have the world around me at home in the suburbs, and collect such images in a special folder in your computer. They have been the inspiration for this record, and
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